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Harmony, its theory and practice . as in the last paragraph, the D in thebass would be figured thus @ g—. (For the explanation of the ji without a figure at the
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Tonic and Dominant in Guitar Chord Progressions
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Harmony, its theory and practice . At (3) (f) the dominant chord is followed by the chord of thesubmediant, and the leading note may either rise to the third orfall to the root of the next chord, the former being preferablebecause the third is a primary note, and ...
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Technical Names of Scale Notes (Music Theory) - YouTube
